Goodman described Hodges as "by far the greatest man on alto sax. John Cornelius "Johnny" Hodges (July 25, 1906 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. Among people deceased in 1970, Johnny Hodges ranks 132. Genres: Jazz, Swing, Big Band. Copyright © 2020 Naxos Digital Services Ltd. All rights reserved. Goodman described Hodges as "by far the greatest man on alto sax. Among people born in 1906, Johnny Hodges ranks 195. Let us know what you think of the Last.fm website. What with the necessarily high salaries accorded an orchestra of virtuosos, the band had to work often in order to survive. Hodges left the Duke to lead his own band (1951 – 1955), but returned to the large ensemble shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Hodges was also featured on soprano saxophone, but refused to play … He didn't play the horn as much as sing through it. He played lead alto in the saxophone section for many years, except the period between 1932 and 1946 when Otto Hardwick generally played first chair. In Ellington's eulogy of Hodges, he said, "Never the world's most highly animated showman or greatest stage personality, but a tone so beautiful it sometimes brought tears to the eyes—this was Johnny Hodges. He played lead alto in the saxophone section for many years, except the period between 1932 – 1946 when Otto Hardwick generally played first chair. It has been reported that the Ellington orchestra worked nearly 365 days a year. His highly individualistic playing style, which featured the use of a wide vibrato and much sliding between slurred notes, was frequently imitated. Date of birth : 1906-07-25 Date of death : 1970-05-11 Birthplace : Cambridge, Massachusetts,U.S. He co-wrote several tunes with Ellington, including “Hodge Podge,” “The Jeep Is Jumpin’,” and “Things Ain’t What They Used to Be.” And Ellington, as he was wont, wrote several compositions specifically to feature Hodges’ solos. He had a pure tone and economy of melody on both the blues and ballads that won him admiration from musicians of all eras and styles, from Ben Webster to John Coltrane, both of whom played with him when he had his own orchestra in the 1950s, to Lawrence Welk, who featured him in an album of standards. He played lead alto in the saxophone section for many years, except the period between 1932 and 1946 when Otto Hardwick generally played first chair. More luck for the listener, Mr. Hodges later rejoined the Ellington fold, returning a signature sound to the orchestra's unique palette for many years after. We use cookies to improve the use of our website, our products and services, and confirm your login authorization or initial creation of account. He is considered one of the definitive alto saxophones players of the big band era (alongside Benny Carter). Click to learn more. Hodges' last performances were at the Imperial Room in Toronto, less than a week before his death from a heart attack. He played lead alto in the saxophone section for many years, except the period between 1932 – 1946 when Otto Hardwick generally played first chair. All user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. After him are Jorma Kaukonen (1940), Ma Rainey (1886), Lauryn Hill (1975), Mike Stern (1953), Roy Haynes (1925), and Matisyahu (1979). Hodges was born in Cambridge, Massachusetts. After him are Ralph Hartley, Konstantinos Tsaldaris, Terry Sawchuk, Eva Hesse, Julius Pokorny, and Pierre Veyron. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges, who was featured on both alto and soprano sax. John Cornelius "Johnny" Hodges (July 25, 1906 – May 11, 1970) was an American alto saxophonist, best known for his solo work with Duke Ellington's big band. After him are Nigel Kennedy, Airto Moreira, Adam Clayton, Jorma Kaukonen, Peter Banks, and Ma Rainey. We would like to express to you our deepest thanks for your contribution. Short Biography. He was one of the prominent Ellington Band members who featured in Benny Goodman's legendary 1938 Carnegie Hall concert. Hodges left the Duke to lead his own band (1951 – 1955), but returned to the large ensemble shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Short Biography. Albums include The Famous 1938 Carnegie Hall Jazz Concert, Side by Side, and Back to Back: Duke Ellington and Johnny Hodges Play the Blues. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946, when he was given the lead chair. Read more on Wikipedia. Luckily for the listener the recordings Mr. Hodges left behind as a leader, while arguably eluding stardom for the artist at the time, are nonpareil examples of relaxed swing, subtle inflection and perfect phrasing, peerless tone and seemingly effortless technique. After him are Tony Amendola (1951), Kate Jackson (1948), Russ Tamblyn (1934), William Graham Sumner (1840), Jesse L. Lasky (1880), and John Hopcroft (1939). Hodges started playing with Lloyd Scott, Sidney Bechet, Lucky Roberts and Chick Webb. ". Hodges started playing with Lloyd Scott, Sidney Bechet, Lucky Roberts and Chick Webb. He was mostly self-taught, although he did take lessons on soprano saxophone with Bechet. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. 10), ELLINGTON, Duke: Blue Abandon (1946) (Duke Ellington, Vol. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Johnny Hodges. He played lead alto in the saxophone section for many years. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges, who was featured on both alto and soprano sax. His first instruments were drums and piano. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946, when he also got the task of playing the lead chair. After experiences in several other bands he joined Duke Ellington in 1928, becoming his preeminent soloist for 40 years. 12), ELLINGTON, Duke: Jam-A-Ditty (1946-1947) (Duke Ellington, Vol. Certainly no one in the Ellington orchestra more exemplified Mr. Ellington's highest standards than Johhny Hodges. John Cornelius "Johnny" Hodges (July 25, 1906 – May 11, 1970) was an American alto saxophonist, best known for his solo work with Duke Ellington's big band. Generations of saxophonists turn to 1963 recording The Great Paris Concert, in which Hodges' lyrical poise is captured well, particularly on "On the Sunny Side of the Street". Other songs recorded by the Ellington Orchestra which prominently feature Hodges' smooth alto saxophone sound are "Magenta Haze", "Prelude to a Kiss", "Haupe" (from Anatomy of a Murder) – note also the "seductive" and hip-swaying “Flirtibird,” featuring the "irresistibly salacious tremor" by Hodges, "The Star-Crossed Lovers" from Ellington's Such Sweet Thunder suite, "I Got It Bad (And That Ain't Good)", "Blood Count" and "Passion Flower". Hodges made a large, long-term contribution to the music, both as a member of the Duke Ellington Orchestra and on his own. Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. Although he could stomp with the best swing players and was masterful on the blues, Hodges' luscious playing on ballads has never been topped. Hodges was born in the Cambridgeport neighborhood of Cambridge, Massachusetts, to John H. Hodges and Katie Swan Hodges, both originally from Virginia. Creative Commons Attribution-ShareAlike License. He played lead alto in the saxophone section for many years, except the period between 1932 – 1946 when Otto Hardwick generally played first chair. Rabbit's Blues: The Life and Music of Johnny Hodges Con Chapman 240Pages ISBN: #9780190055288 Oxford University Press 2019 Alto and soprano saxophonist Johnny Hodges was one of the most singular voices in jazz. He played drums and piano early on before switching to soprano sax when he was 14. Email Print. The paths of Johnny Hodges (John Cornelius "Johnny" Hodges, nicknames: "Rabbit", "Jeep". Among musicians, Johnny Hodges ranks 930 out of 2,258.

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