�z@� �0& �z@� �0& x�3R��2�35W(�*T0P�R0T(�Y@��� 22 0 obj �\ �%W stream �z@� �0& endstream 10 0 obj 58 0 obj A personal favourite, this delicious nugget of Ali Akbar Khan is part of my earliest musical memories. We encourage uploading MP4 files for playback across multiple platforms and devices � .� ,++++++p:������8� endobj stream /XObject <> Our Kedar expo draws to a close with a couple of renditions by the great vaggeyekara and vidwan, Pandit Ramashreya Jha “Ramrang.” His own composition recreates the scene of a baby Krishna gambolling about the courtyard under the admiring gaze of Jashoda and the rest of the household. Upon arrival at the pancham a couple of options suggest themselves. /Resources 40 0 R /Filter /FlateDecode /Length 67 >> The tantuvadya folks, however brilliant, fall short of capturing the raga’s soul. It has been my good fortune to have witnessed many a dramatic and impromptu performance by Jha-sahab, expressing as only he can in his lyrical manner the bhava and subtleties attending his compositions. 3 0 obj Additionally there several hybrids and variations such as Basanti Kedar (a Jaipur-Atrauli staple), Kedar Bahar, Deepak Kedar, Tilak Kedar, Shyam Kedar, Anandi Kedar, Adambari Kedar, Nat Kedar and so on. Accurate description of such prayogas is beyond the scope of the written word. x�3R��2�35W(�*T0P�R0T(�Y@��� �z@� �0& 37 0 obj ����3!%վU1�A}�#��z;��7z�hO}(�pV�j�|Z����[Tl��I����_�9໲��J� FWM�ʹ*S��g�-�H�L�s�YS����>���^k�'.`��� ��[sH|�1��Yqm�6�o�v��Ǯk���������gOY'N�j��M!��R���� ֦���h2Ȥ#+�P�\J�{Z�a)�7��=){���Z�_]]��)�~� �}=b��$�ꐁ�(T1.�)��3�Ь*�YEX�'� O�o# What we essentially have here are two names, not two ragas. We are a digital media, distribution and talent management platform for talents from the music and film industry and independent, original content across the Globe. The next stop – Basavraj Rajguru‘s Chandni. Raag Kedar (chhota khayal) +”pal do pal ka”. PREV. x�3R��2�35W(�*T0P�R0T(�Y@��� endobj Chota khayal is a style of singing where you can in a limited time or in a boundary you can do the Bandish and the Vistaar. /Resources 40 0 R /Filter /FlateDecode /Length 67 >> endstream 45 0 obj endobj endstream x�3R��2�35W(�*T0P�R0T(�Y@��� endobj <> �\ }+ Bandish literally means to tie something. PDPP S”, S” (N)R” S” Notice also his peculiar manner of lacing the madhyam with the gandhar. �!>� endobj endstream �!>�F 52 0 obj Bismillah Khan pulls some delectable meends in this one. � <> 11 0 obj Notice the subtlety, felicity, and power in intonation – it seldom gets any better than this. stream stream This composition is a drut khayal by Vishnu Narayan Bhatkhande. stream <> “Saraspiya” was the nom de plume of Kale Khan of Mathura (1860- 1926). endstream �����ch����� {X �!>� /Resources 40 0 R /Filter /FlateDecode /Length 67 >> endobj Audio Bihaag chota khayal hindustani classical kirana vocal. endobj stream 03:53. ��^�)[�x�.+���3AP�z҈�%�⊎�e�9y��Do*x��8LH��hHs�C�孋�ޜ|�̦��(QF��;}��0��� ��gu@ej1��E#7Ʉ�q�R��)�s��92�K@a�d,L"�� FB:-1((�I .� endobj <> Bandish 2- the popular bandish “Kanha Re” in raag kedar and a glimpse of “pal do pal ka” qawwaali from the movie “Burning Train” based on the same raag. 28 0 obj endobj Its structure reveals a kaleidoscope of complex melodic gestures, conduct and richness of character. Rajinder Kishen‘s words convey appositely what is often termed the “divine nonsense of romantic love.”. x�3R��2�35W(�*T0P�R0T(�Y@��� q�1l}&�_���`���'̷�������>ܜ�*|*���`�����5�?�w�O,A stream endobj x�3R��2�35W(�*T0P�R0T(�Y@��� Soch samajh man meet piyarava. 32 0 obj Appearances are deceptive since every step of the way is laden with a meend or a delicate curve. This popular prayer from GUDDI (1972) by Vani Jairam was composed by Vasant Desai to Gulzar‘s lyrics: humko mana ki shakti dena. �0D�=Ŝ �&E�? �\ �U endstream /Resources 38 0 R /Filter /FlateDecode /Length 110 >> endobj � <> Its abstract nature makes it notoriously resistant to capture on paper. There has been no greater spectacle in Hindustani music than ‘Aftab-e-Mausiqui’ Faiyyaz Khan in full flow. endobj endobj x�3R��2�35W(�*T0P�R0T(�Y@��� � <> <> n@�����|����,��"�Ϳۼq`��ɮ?ܭ��5mƊ\�q; /`�t��n��)q7�# F��k7���-�pG�S�}�!�2s=�WObᚁ�����미�? <> �����c����� k�� �z@� �0&�2�Գ��ɹ <> stream <> 47 0 obj x�3R��2�35W(�*T0P�R0T(�Y@��� There is no consensus on just what Chandni Kedar is. We are a talent and independent content platform for both, Independent content makers, and fans of Independent content. x�3R��2�35W(�*T0P�R0T(�Y@��� stream <> � �z@� �0& endobj endobj mPDNS”R”S” � She seems to be in an unusually playful mood and even pauses to outline the text of the Alladiya Khan composition Eri ina naina in vilambit Ada Chautala. stream Nayyar nugget from CID 909 (1967) rendered by Asha Bhonsle and Mahendra Kapoor: jaane tamanna. 35 0 obj �z@� �0&�2�Գ��ɹ By “abstract” we mean that it is not a scalar raga, amenable to … ��"(�363)g���R2�2���s�x�F�C7>ddؔ���`�/C&iO�C��')��6e�i�$|�/~�e1K%��,x�w?�مͲg3D�?�}��s����"(��>�41ꌌ�K����0��R���Q�Q�k�'�I�ʄ �z�+� <> stream 41 0 obj /Resources 40 0 R /Filter /FlateDecode /Length 67 >>

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