Play bb.10-12 only on the repeat. It may recall the style of Kabalevsky’s Opus 27 piano pieces for children. Is this a concert, recital, or some other music-centric event where the audience will at least try to be quiet? The addition of the great bass in Variation III is also optional. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. All three make minimal technical demands on players. I wrote this in Finale as a flute and string quartet. one minute) piece features conjoined phrase halves that are rhythmic mirror images of each other. The bass part (cello) is optional.Players may wish to play to the accompaniment provided here. Duration: 1:30The accompanying multitrack recording features the composer playing sopranino and tenor II, with Scott Paterson, tenor IPreview Sound SampleDownloadMP3 file, Shepherds' Gigue (SA)by Anthony St. Pierre, December 2005Composed for a Christmas celebration, this lively, highly syncopated gigue featuring the interval of a fourth throughout suggests the joy of the "shepherds abiding in the field." "B" will not be nearly as acceptable as "A". Orders must be placed by 30 November 2020 at 7:59 GMT to be eligible for this offer. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. • Gift Certificates do not count towards the minimum order size. Keep strict rhythms. Technical challenges are minimal in this essay of 2:45 duration.Performers on the included recording of St. Pierre's instrumental setting are: Scott Paterson, alto; Takayo Shimoda; the composer, bass. 0.0/10 Duration: 2:10Scott Paterson (sopranino) and the composer (alto) perform on the accompanying recording.Preview Sound SampleDownloadMP3 file, Mayday! 6 • Cannot be applied to previous or pending purchases. The title may refer to a patron of Lavigne. A bold wavy line indicates a slow, heavy vibrato, a lighter one, a faster, less intense vibrato. Each successive cell contains one more note than the previous -- hence "accretions." It is merely a fanciful, alliterative title. (2 Sopranini)by Anthony St. Pierre, September 2006This frenetic duet in 7/8 is founded on ten iterations of the Morse Code for the "Mayday" distress signal (from French "Venez m'aidez," "Come Help Me.") All Contents Copyright © 1997-2020, Sheet Music Plus. 0.0/10 At the ideal tempo, deep breaths and careful control of air flow are required. 11, and S-O-S (Members' Library). Preview Sound SampleDownloadMP3 file, Ripples for Fipplesby Bradford Wright, April 2017Relaxing and meditative - with a twist. This position was chosen because it was conveniently hidden behind the poet's seat (: In retrospect, I wish I put a M179 in this position I think its brightness and variable polar pattern would have benefitted me in this situation. Just purchase, download and play! I think they are too noisy for this situation I'm afraid. Advanced level due to 5/4 time signature and tempo. Scroll down and select the image of the carol you want for printable PDFs of each recorder duet. All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. Players will enjoy a good workout on scales and arpeggios. Players of upper intermediate skill will find these duos within reach. The recorder is a Zen-on alto after Bressan.Preview Sound SampleDownloadMP3 file, Fuga alla modaby Bradford Wright, October 2018This is a jazzy fugue for soprano, alto, tenor, and great bass recorders with bongo drums accompaniment. (Cantillation, the third of three duets for bass and great bass recorders by St. Pierre, also reflects Hovhaness' style and is available on the ARS website. Failing that, Harry's suggestion of using the omnis as boundary mics might work, and set up the ORTF on the balcony as a contingency...you have to be creative in these situations. Stephen W. Beatty (2019/12/26), Engraving files (MusicXML) The challenge is in navigation without meter. • Offer ends at 30 November 2020 at 7:59 GMT. Upper intermediate to advanced level. • We're handing off packages to our shipping carriers as quickly and safely as possible. PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. Duration: 3:15The composer has made minor modifications to the score since the accompanying recording was made. Octave doubling requires careful tuning, but the piece is otherwise uncomplicated. Preview Sound SampleDownloadMP3 file, Sonata for Recorder and Pianoby Bradford Wright, 2017A duet for alto recorder and piano that is fun to play, and easier than it looks. Pentafolia is one of various and sundry St. Pierre Folia settings available through the ARS. (S turns at b. ), or including URLs, time-sensitive material or alternative ordering information. I added another Oktava in Cardiod, outside the piano behind the soundboard. Preview Sound SampleDownloadMP3 file, Rondeau vif (ATB) by Anthony St. Pierre, October 2013Of the several adaptations St. Pierre has composed based on movements from Rameau's Pièces de clavecin en concert, this one, from the 5th Concert, is the most audaciously modernized. 44-5, the alto plays a Db, combining flutter tonguing and finger vibrato; before quitting the note, however, only the vibrato persists. In the accompanying recording, Scott Paterson (S) and the composer (B) are heard. In two cases, versions for different pairings are offered. (Parts in bass clef are furnished for the latter two instruments.) -  The fermata and cut before the last rondeau section is optional. Intermediate level. It is founded on the G major invention. Upper intermediate level. Relaxing and meditative - with a twist. Don't play the ornament at the end too fast. The wavy line in b.23 indicates heavy vibrato. Technically easy with rich chords. This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. The theme starts as a four voice canon and then develops in various ways until the final chorale.Parts are available from www.recordermusic.us upon request. In this way, it differs from most other Folia variations. It qualifies as a "fantasy" because there is no bar-for-bar or beat-for-beat correspondence between the theme and each variation. • Sheet Music Plus reserves the right to cancel or change this offer at any time. Upper intermediate to advanced level. Preview Sound SampleDownloadMP3 fileBass Low E Instructions, Tambourin (STB) by Anthony St. Pierre, September 2013One of a series of fantasy adaptations of Jean-Philippe Rameau's Tambourin (Pièces de clavecin en concert No. Cello, Soprano Recorder - Early Intermediate - Digital DownloadComposed by Katherine Fraser. In the present adaptation of these tunes however, the two are superposed, Deidre forming a descant to St. Paddy. If your client is who requested the "small footprint", you will need to inform him/her that there is a simple "A" choice (a proper mic setup) and "B" choice (mics "wherever they can't be seen"). 2 You may also enter a personal message. Each phrase is on the phrygian scale a fifth higher than the previous until the midpoint, where the sequence of transpositions is reversed (i.e. Duration: 11'20" Performed by Scott Paterson, alto; Anthony St. Pierre, tenor Preview Sound SampleDownloadMP3 file, The Mosquito's Courtship by Anthony St. Pierre, July 2005The Dance of the Mosquitos of Heitor Villa-Lobos inspired this frenetic duet for sopranino recorders.At tempo, this piece is best suited to advanced players. Sorry but your review could not be submitted, please verify the form and try again. In the final section, the alto takes up the sopranino (optionally) and the two voices deliver the tune imitatively.Players of intermediate ability will encounter few technical difficulties in this piece. A courtesy part for great bass in treble clef is included. I found the challenge to write this as a fugue. The fourth movement also contains an extended harpsichord solo-cadenza, directly inspired by the iconic harpsichord solo in the first movement of Bach's Brandenburg Concerto No. 44-7 and bb. Tango for alto recorder and piano. It is one of a series of brief bagatelles for various combinations of recorders. The setting is not especially difficult. )Preview Sound SampleDownloadMP3 file, Quand je suis mis (ATB) by Anthony St. Pierre, June 2008This is a very free adaptation of a lyrical virelai be Guillaume de Machaut (1304?-1377) in a modern idiom.

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