MARILYN TIMES FIVE. Saved by ricardo. Outsider Art Apocalypse The Outsiders Tumblr Times Some cultures consider…, Good bye to spring and what it meant to me :). And he's also…, I'm through with love, I'll never fall again. In his introduction to the interview with Conner, MacDonald notes, But whatever the subject or the mood of particular films, the driving force in Conner’s work seems to me to be an ecstasy that is generated by his being able to recycle even the most banal commercial and industrial film imagery into new works that are not only dense and sophisticated but also accessible to almost any viewer. Bottom Line: Marilyn Times Five is a propaganda film with an underground lookalike. It’s her image and her persona.”. ", Title: That's kind of the point though, taking footage that is clearly erotic and making it seem mundane. Marilyn Times Five Bruce Conner USA, 1968, 13min, kein Dialog . This seems to show that, as Conner says, we can't escape the content through the form, though we can distance it. In describing the film’s broader context, some critics portray Marilyn Times Five as a structuralist film, noting that its attention to film form contributes to the larger structuralist project of examining the fundamental properties and materials of cinema. View production, box office, & company info. A decade and a half after A Movie, Conner released Marilyn Times Five, a work that continues the filmmaker’s earlier obsession both with found footage and cinematic rhythm, but adds to it a study of image structure and form. Founded in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. Keep track of everything you watch; tell your friends. A commentary on the destructive expectations of females in a male dominated society, Marilyn Times Five was made from an old stag film called "The Apple-Knockers, and the Coke"(1948) these sections of the film were set to Marilyn Monroe's song "I'm Through With Love". That the woman may not be Monroe haunts the film in fascinating ways. In searching for corroboration of my assumption, I basically read up the basics on the film: it's as much about editing techniques and their affect on the content/viewer as it is some prurient obsession. De fondo se repite 5 veces la misma canción de Marilyn "I'm Through With Love", subrayando lo anodino de sus gestos y su representación. If Conner’s ability to mobilise a kind of meta-critique characterises his work in one sense, the other half of that critical stance is Conner’s obvious love of cinema and moving images. But it isn't really Marilyn is it? The film is experimental in the scientific sense: Conner set himself a project to see if he could do it. In the end, the Conner version is a homage to Marilyn Monroe as a person, and it is the most respectful homage to her that I know. With this aspect of the project, Conner critiques the pernicious curiosity and voyeurism that subtends our viewing of the woman’s body; and once again, Conner elegantly leads us through the pleasures of looking, followed by an awareness and reflection on that pleasure. World Sales: The Conner Family Trust. Mercredi 17 avril 2013. 1973 Directed by Bruce Conner. A single fleeting gesture becomes the same gesture twenty times, and no longer fleeting and thereby it stands out from the naked body in the image. This…, the official avant garden discord server list of movies, spearheaded by the one and only elena, Stephen Williamson 3,088 films 1,277 15 Edit, Not listed: "Expansion," "Enigma," "Connection," "Relation," (all Matsumoto), "Macbeth Horror Suite," "V.O. She recorded various B-films throughout the 1950s including "Sex Kittens Go To College" also starring Mamie Van Doren and others like "The Angry Red Planet" and "Big Daddy". Marilyn Times Five Bruce Conner USA, 1968 13min, kein Dialog. Not much is known about Arline Hunter except that she was a popular pin-up in the late 1940s through the early 1960s, always close to a dead ringer for Monroe. To be sure this manifests a male gaze view, but Conner is breaking down that gaze. The filmmaker admits that the content­—sexist images of a female body—is so gross that it was and is questionable in his mind if he succeeded in changing the given footage, in which Marilyn is the victim of our voyeurism, into something else. He takes a little over a minute of material from a film purported to be of young Marilyn Monroe: a girlie film with the actress dressed only in underpants. The reiteration of five cycles rotates the commodity of her moon-pale body as her song repeats five times on the sound track … 2012 - Marilyn Times Five - Bruce Conner (USA, 1972, 16mm, 10:00 min) Bruce Conner’s film career began explosively in 1958 with the release of a 12-minute black-and-white film simply titled A Movie, composed exclusively of found footage material. As it is, the film does not satisfy as porn, which is some achievement in over­coming the given footage, but it still acts as a voyeuristic film: we can't totally stop watching the body, the torso, the legs, the breasts—they are inescapable. We see Marilyn as a victim of our voyeurism, but through Conner's isolation of and attention to the particularly individual traits of the actress, we also see she is more than a victim. It is an exploration of how a film's form can influence audience perception of the content of film. The woman's actions are looped several times which gives the audience a sensation of exhaustion. Use the HTML below. Holly Willis is Director of Academic Programs at the Institute for Multimedia Literacy in the School of Cinematic Arts at the University of Southern California, where she teaches, leads workshops and researches emerging forms of teaching, learning and scholarly practice. MARILYN TIMES FIVE. Marilyn, Bruce Conner’s eleventh 16mm film, is constructed of brief segments excised from two Marilyn Monroe softcore nudies of the early forties (she was about 19). Several writers claim that the woman is actually Arline Hunter, an actress and model who closely resembled Monroe. The clips are few, and are repeated over and over, punctuated heavily by black spaces of … Production: Bruce Conner. Bergman's Boho Beret 12,322 films 6,173 26 Edit, This list is an attempt to bring together all of the most popular, acclaimed, and otherwise interesting short films that…, Jayce Fryman 18,689 films 3,012 100 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. El experimento vacía de significado el cortometraje y por extensión la figura femenina de la sex-symbol. Directed by Bruce Conner, "A young woman, allegedly Marilyn Monroe, is seen with pitiless scrutiny in the arena of an old girlie film. Directed by Bruce Conner. Marilyn sure is hot, and the film is captivating even while it tests your patience by putting both sound and video on a loop. Is Conner's new version sexist or not? Marilyn Times Five is a 1973 experimental film by American filmmaker Bruce Conner. And yes, some of these stretch the definition of "documentary" quite…, Sally Jane Black 202 films 266 41 Edit, Movies that evoke a sense of Americana, or, more specifically, Middle America or the South, or just the concept of…, Short films. March 01, 2009 in MARILYN TIMES FIVE. Throughout the five segments, Conner by turns eroticises the woman’s body with a caressing eye, twists it into uncomfortable poses with zesty humour, and ultimately suggests that the body’s objectification is deeply troubling, all through the careful cutting and rearranging of shots. The short snippet of footage that forms the film’s basic “raw” material shows a woman who is nude, with the exception of underwear, in various poses; structured in five sections around the repetition of the song “I’m Through With Love”, the film continuously explores aspects of the image sequence, cutting and re-cutting it into myriad, almost dizzying permutations. Report this film. The reiteration of five cycles rotates the commodity of her moon-pale body as her song repeats five times on the sound track ... 'I'm through with love.' Conner also uses bits of black leader to punctuate the film, withholding the image and, as a result, augmenting our own awareness of the desire to see. If you are an Australian resident, any donations over $2 are tax deductible. That exhaustion keeps building until the very end where the woman is shown crumpled on the floor in an awkward position, which makes it appear as if she is lifeless. Synopsis: This is an exploration of how a film’s form can influence the way an audience perceives the film's content.

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