So you can play any of these notes in any order and it should still sound great -it will help if you start or end on the root, but generally you can’t go wrong. I have given you the set intervals for each scale (important point: flattened = note is lowered a semitone, sharpened = note is raised a semitone). The augmented second between its sixth degree and its raised seventh degree (the "leading tone"), traditionally considered undesirable in melodic progression, is avoided by placing these pitches in different voices in adjacent chords, as in this progression: F A♭ D, F G B, F A♭ C (ii°b–V7d–iv in C minor). Then try and make up your own. One such example is the Neapolitan major scale. Why don’t you get started right away? The minor pentatonic scale is by far the most commonly occurring scale in blues and rock music. Your email address will not be published. in different keys). Such a use has been notably ascribed to the works of Béla Bartók and to bop and post-bop jazz practice. You should expend a little time practising these two scales over a few different blues backing tracks or if your lucky enough to have a friend that will play rhythm while you practice GREAT! on Twitter The heptatonic, or seven-note, conception of the blues scale is as a diatonic scale (a major scale) with lowered third, fifth, and seventh degrees, which is equivalent to the dorian ♭ 5 scale, the second mode of the harmonic major scale. It’s great fun to learn a lick, riff or solo from someone like Eric Clapton or BB King and actually realise how they wrote that particular piece. The harmonic minor scale is so called because in tonal music of the common practice period (from approximately 1600 to approximately 1900) chords or harmonies are derived from it more than from the natural minor scale or the melodic minor scale. In the diagram above, the blue dots represent the root note. The blues scale is the scale used by blues and other styles such as classic rock, made up of the pentatonic scale plus the Blue Note or blue note, and the major third can also be added to this. Here are a selection of easy licks to get you started – all are in the key of A, but the basic pattern can be moved to any key, up or down the neck. This second lick uses just four different notes, again really really simple, but very effective. G A♭ B C♯ D♯ E♯ F♯, which is similar to the heptonia tertia mentioned above, differing only in that the second degree here is flattened. Notes in A: A D A A | D D A A | E D A E7Grades: I IV I I | IV IV I I | V IV I V7. Guitar: Pentatonic and Blues Scales: Quickly Learn Pentatonic Scale Theory & Master Essential Licks and Exercises is Publisher Fundamental Changes Ltd. and its Publis on 21 Apr 2016, File Size 3041 KB and Best Sellers Rank on amazon 255,981 in Kindle Store. The blue note is the diminished fifth or the augmented fourth of the minor pentatonic scale. Home | Lessons | Scales | Riffs | Tuner | Videos | Games | Gear | Links | Sitemap |Contact. This final riff adds a short pentatonic intro to the riff used in lick 2 above. Try using each of the 4 different scales in turn picking out different notes each time. This example uses more notes, but all are within the pentatonic box. As with any other scale, you must learn one position at a time. The last group of seven-note tone/semitone scales is heptatonia tertia, and consists of scales with two adjacent semitones—which amounts to a whole-tone scale, but with an additional note somewhere in its sequence, e.g., B C D E F♯ G♯ A♯. If you add the major third, there is a scale as follows along the fretboard. It’s almost like learning how to think like they do as songwriters and blues guitar players. It shows you all positions of the scale. Phrygian major or dominant harmonic minor I-♭II-III-IV-V-♭VI-♭VII Examples include the major scale or minor scale; e.g., in C major: C D E F G A B C—and in the relative minor, A minor, natural minor: A B C D E F G A; the melodic minor scale, A B C D E F♯G♯A ascending, A G F E D C B A descending; the harmonic minor scale, A B C D E F G♯A; and a scale variously known as the Byzantine, and Hungarian, scale, C D E♭ F♯ G A♭ B C. Indian classical theory postulates seventy-two seven-tone scale types, wherea…

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