However, our heroine would be right at home in Oxford where they have an annual open air Shakespeare festival. And the wardrobe is absolutely classic. If the heroine lives up to the smart academic promise of this wardrobe, the community theater will be utterly thrilled. Thank you! Five years ago we looked at the possibilities of accenting a solid black wardrobe with red and royal blue…. Indeed, Redon was seeking to imbue his work with that greater “richness in substance” of which oils are capable, in the physical weight and presence of the pigment on canvas, in conjunction with a more material concentration of hue and the subtle blending of tones. Sold, Christie’s London, 27 June 1988, lot 19; gift of the Ian Woodner Family Collection to The Museum of Modern Art, New York. The camel leather goods are so lovely. oh great grief, this could be SO MUCH FUN…, Earrings – Talbots; floral print shirt – L.L.Bean; tie dye mask – Cotton Citizen; mixed-cable button-front cardigan – L.L.Bean; 21 inch scarf – Jessie Zhao New York; Fair Isle turtleneck – Baum und Pferdgarten; camel corduroy pants – L.L.Bean; sand cashmere cardigan – N.Peal; pumps – Talbots; navy ponte skirt – Halogen. In 1903 he was awarded the Legion of Honor. I’m from Dublin Ireland and I commented earlier for the first time despite following you since 2014. That’s a beautiful painting to be the basis of a wardrobe. My go-to in the winter. Edgy? 🙂 I am a wee bit concerned, however, that this sounds like the opening to a Murder-She-Wrote style mystery; our scholar/eventual detective may wish that she had brought a more comfortable second pair of shoes once her investigation of Hamlet’s suspicious demise is underway…. I have had that LLBean cardigan in black for a number of years now. p.s. “Painting, with its limitless resources, is an infinitely enjoyable art.” To Bonger in 1912, the artist commented, “If the art of an artist is the song of his life, a solemn or sad melody, I must have hit a happy note in color” (quoted in exh. Odilon Redon was a Symbolist painter and printmaker, born in Bordeaux, Aquitaine, France. Odilon Redon, Fleurs des champs dans un vase au long col, before 1905. Really appreciate this post and the story, for when I do set foot in campus again. The camel sweater, scarf, shoes and bag have an interesting impact, and look so good with black, brown or navy. I have done it with eyes open to the marvels of the visible world and, whatever anyone might say, always careful to obey the laws of nature and life.” – Odilon Redon, “Confessions of an Artist” (To Myself: Notes on Life, Art and Artists, New York, 1986, p. 7). I’d love to be a Shakespeare expert, traveling to great old universities with brick buildings and leaves crunching under my feet as I walked the campus in these lovely clothes. Odilon Redon (French, 1840–1916) Vase of Flowers, 1916 As a young man Odilon Redon created charcoal drawings and lithographs, not venturing into pastel color works until he was about fifty years old. I look at the inspiration picture and see it as a picture of two halves. Love, love, love! By 1904 Redon was devoting most of his time and efforts to creating flower compositions. cit., 1996, nos. Oh, man; I just love this story and how the wardrobe turned out! cit., 1994, p. 288). These are both very experienced actors who would benefit greatly from your insights into their characters. Odilon Redon was a Symbolist painter and printmaker, born in Bordeaux, Aquitaine, France. The use of oil colors also permits a fluid sense of space, apparent in Redon’s handling of the background in the present Fleurs, against which the firmly contoured and volumetrically shaded vase, brimming with blossoms, appears to hover weightlessly as if in vaporous emptiness. Please note that all of our meetings are being held outdoors, as will our performance. Find more prominent pieces of flower painting at Wikiart.org – best visual art database. cat., The Art Institute of Chicago, 1994, p. 294). The Cambridge I thought of was the one in Massachusetts, with some Hasty Pudding. ‘Flowers’ was created in 1909 by Odilon Redon in Realism style. The arrangement of the blossoms in the present Fleurs is naturalistic; Redon likely painted specimens he gathered from his garden in Bièvres and arranged in this vase, which—as Alec Wildenstein noted—also appears, variously colored, in four other pictures (op. His shimmering flower … Rosaline Bacou, in conversation with Margaret Potter, dated the present Fleurs to the period 1905-1910; Ari Redon, the artist’s son, suggested a date of circa 1910 (op. He now made a priority of taking on a more prominent, visible role as an artist working in oil colors on canvas. Which reminds me, I have to do my health screening check in (even if I’m not on campus). 1454-1455 and 1457-1458). As a fantasy, it’s very nice. Maybe with a return visit to see the performance. THE VIVIENNE FILES IS A PARTICIPANT IN THE AMAZON SERVICES LLC ASSOCIATES PROGRAM, AN AFFILIATE ADVERTISING PROGRAM DESIGNED TO PROVIDE A MEANS FOR US TO EARN FEES BY LINKING TO AMAZON.COM AND AFFILIATED SITES. Save my name, email, and website in this browser for the next time I comment. They’re in reserve for our re-visit; I find it tough to incorporate accent colors into tiny travel wardrobes! His failure to pass the entrance exams at Paris’ Ecole des Beaux-Arts ended any plans for a career as an architect, although he would later study there under Jean-Leon Gerome. But the blues/teals/pinks/reds would be lovely with a navy base. That transit outfit is going to make such a reassuring first impression…surely that menswear inspired wool blazer is going to read like a doctor’s white coat to say, “All will be well; the professional is here.”, Bringing a Shakespeare scholar to Cambridge felt very “coals to Newcastle” until I realized this must be someplace more akin to Cambridge, Minnesota, than the British one with the famous university. Just when I think there are no new combinations you surprise us. Odilon Redon turned to the genre of the floral still-life, first in pastel and subsequently in oils as well, around 1900, when he was sixty years old. Looking forward to seeing the development of the expanded wardrobe! I’m not up with the academic style worn by Shakespearean scholars in Cambridge, UK. Having long worked in charcoal and black chalk, the use of color pastel sticks came to Redon quite naturally.

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